Why Edward Scissorhands is Tim Burton’s Best Film

It always seems unkind to artists that commentary can sometimes reduce their body of work down to a couple of unnuanced sound bites. Exhibit A among filmmakers for this issue might be Tim Burton. Even his recent or uneven films have more to them than the usual talking points of spirals, black and white, Johnny Depp, and misunderstood outsiders. Ironically, the latter theme encompasses this very problem, and it’s one Burton has never been shy in discussing.

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Author: William Fischer