Since he came into the contemporary art consciousness in the midst of the pandemic in 2020, Julian Pace has been playing with form. Not just how a body looks, but also what the memory does to form. When he paints his large-scale canvases, he bases them on the smallest of Moleskine drawings. And the large-scale works are just that; larger than life, proportioned to be larger than the viewer, and thus, thrusting the icon, whether it be pop-cultural or historic, into an almost intimidating and audacious relationship with the viewer. To be familiar with the subjects is quite important, though, but not essential.
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