Spotlight: Point Blank Tutorial – How to Create Interesting Drum Fills with Resampling in Ableton Live

For this tutorial, Chris Martin, one of Point Blank’s Course Content Developers, shows how you can use resampling techniques in Ableton Live to create interesting drum edits – with plenty of variation. To demonstrate this, Chris loads up a jungle style breakbeat loop with a bassline and uses a …

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The Witcher Season 2 Review: A Found Family Only Benefits the Netflix Show

Making a successful sophomore season for one of Netflix’s most popular original series, let alone one of its biggest fantasy shows, is really a move akin to trying to capture lightning in a bottle the second time around. When Season 1 of The Witcher premiered around this time two years ago, there was a general sense of apprehension surrounding its release. Video game adaptations (even if The Witcher is also adapted from the series of short stories by Andrzej Sapkowski) have an unfortunate reputation for being so-bad-they’re-almost-good, comically bad, or this-never-should’ve-seen-the-light-of-day-bad — and the first images of Henry Cavill in character as Geralt of Rivia didn’t inspire much faith either (at least until he finally tried a different silver wig on for size). It was unclear whether the actor, himself a self-professed devotee of the games, would be able to channel that same singular focus into successfully rendering the titular Witcher on-screen — but the first season, while admittedly brimming over with fantasy tropes, was definitely carried by character work. The fact that said characters were divided into three different timelines, a plot point that didn’t reveal itself until much of the season was over, didn’t necessarily make things any easier to follow. However, Season 2, which comes to Netflix on December 17, seems to not only have learned from the missteps of its predecessor but is even willing to gently poke fun at itself in the process — and its once-taciturn White Wolf who’s starting to feel even more three-dimensional. Continue reading

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SCAD Museum of Art: Arturo Soto Helps Celebrate a Happy and Bountiful Ten-Year Anniversary

“I have many fond memories of my time in Savannah. SCAD was instrumental in my development as an artist, and my experiences coalesced in All Lovely Things Will Have An Ending. After living for four years in Savannah, I had a mental archive of places and things that I found interesting but that I sensed were bound to disappear soon. Photographing them was a way of saying farewell to the city while preserving what I liked for posterity.” Mexico City-based Arturo Soto (work in gallery above) is back at the Savannah College of Art and Design to celebrate his first U.S. exhibition, comprising over 30 photographs for three series; the Savannah study, as well as pieces composed in London and Oxford,…

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