When I was reading the press release for Koak’s newest solo show, The Driver, her first show with Perrotin and opening at their Seoul space on May 21st, one line stood out: “shouldn’t really go together.” It was a comment made in regards to color choices, trying to blend colors that didn’t really work together normally but created a new hue and balance. I love that insight about Koak because whether you see the works in person or on the screen, her colors are, indeed, new. Her characters of course are a hybrid and “about archetypes of self that we have that are developed throughout our life or are internalized by experience,” as she has said in the past. And…
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